Tag Archive: Bobby Deol


Jaya Biswas

 
Film: Thank You
Director: Anees Bazmee
Cast: Akshay Kumar, Bobby Deol, Suniel Shetty, Irrfan Khan, Sonam Kapoor, Celina Jaitley, Rimi Sen
Rating: Average

Men hate him, women simply adore him. Anees Bazmee’s latest film, Thank You, sees Akshay Kumar playing a detective who specialises in extra-marital relationships. Akki tells heartbroken wives about their promiscuous husbands, enlightens them with signs of a cheating man and how to catch him red-handed. He educates women and makes them wiser. Well, now you know why!
The basic premise of the plot dwells on ‘Men are dogs’ and ‘Women are dumb’ philosophies. Raj (Bobby Deol), Vikram (Irrfan Khan) and Yogi (Suniel Shetty) are three married men trying to have some fun outside their marriage. Sanjana (Sonam Kapoor), Karthika (Rimi Sen) and Radha (Celina Jaitley) play their lovely wives.
All seems to go well until Sanjana senses something fishy about her hubby’s smooth-going life. On Karthika and Radha’s suggestions, Sanjana hires the perpetually flute-playing private detective Kishan (Akshay Kumar), who promises to teach the three philandering husbands a lesson that they’ll never forget. Sounds familiar? Thank You, sadly, comes across as a not-so-appealing concoction of erstwhile releases like Shaadi No. 1, Biwi No. 1, Masti et al. But most prominently, it is hugely inspired by Bazmee’s own film, No Entry.
While nothing significant happens in the first half, the storyline gets slightly better post interval. But just when you feel the end credits are about to roll, it starts stretching like a chewing gum with Raj’s ‘realisation’ phase in focus. That’s not all. It’s followed by an unnecessary and predictable flashback of Akshay and his wife played by Vidya Balan.
Pritam’s music is uninspiring except for Mika’s Pyaar do Pyaar lo number (from Jaanbaaz-1986), which is already climbing the music charts. The song sounds more like a remix and looks very much like trying a re-do of Apni To Jaise Taise from Housefull.
Akshay delivers an average performance; he does nothing that we haven’t seen him do before. One wonders if Akki doesn’t get tired of playing clichéd roles. Irrfan Khan is simply brilliant with his superb comic timing. Suniel Shetty’s character seems an extension of Hera Pheri. Bobby Deol is decent. As far as the leading women are concerned, Rimi Sen is good but not very different from what she did in Dhoom, Sonam Kapoor looks the prettiest of all. But that’s about it. As far as performance is concerned, this is certainly not one of her best performances. Celina Jaitley doesn’t really stand a chance as she remains absent most of the time. Mallika Sherawat with her item number fails to tickle you.
Annes Bazmee should perhaps say “I’m sorry” for directing Thank You. Watch it for Irrfan, if you must.

 

 

 

Ananya Ghosh

 

 
Film: Yamla Pagla Deewana
Director: Samir Karnik
Cast: Dharmendra, Sunny Deol, Bobby Deol, Kulraj Randhawa, Mukul Dev and Anupam Kher
Rating: Average

 

Yamla Pagla Deewana starts with a montage and a hilarious narrative on the ‘bhichhda hua family’ phenomenon of 70s’ Bollywood and the sepia-toned scenes from the blockbusters or yesteryears make way for a modern day family where Paramveer Singh (Sunny Deol) lands in Benaras from Canada in search for his long lost father, Dharam Singh (Dharmendra) and his brother Gajodhar Singh (Bobby Deol); and the first person he meets on the busy streets of the holy town is of course the kid brother! It turns out that the father-son duo has quite a reputation as petty thugs. Nonetheless the big brother promises their mother (Nafisa Ali) that he will unite the family. But, before that he must ensure his brother’s love story a happy ending by tackling the girl’s (Kulraj Randhawa) tough brothers (Anupam Kher, Mukul Dev and the rest).
After the melodrama that was Apne, it is refreshing to see the Deol sharing screen space in a comedy film and making the most out of it. It can be regarded as a tribute to the Deols as well. The black-and-white photographs of the stunning Dharmendra of 60s makes your heart skip a beat, the songs of Barsaat and Kareeb playing in the background during the climax reminds one of the curly-haired, cute Bobby Deol in his initial days, and Sunny dancing with a tube-well on his shoulder makes you remember the famous scene from Gadar: Ek Prem Katha. This is where you will get to see them in their asli rang. The scene where Bobby re-enacts the famous ‘suicide scene’ of Sholay is quickly silenced by a straight-faced Sunny who snaps, “Woh din gaye jab larkiya ise maan jaati thhi,” takes you off guard and then makes you burst out in fits of laughter.
The Deols compliment each other with their comic timing and Anupam Kher remains the brilliant actor as usual. However, it is Mukul Dev who is the surprise package in the movie. His acting is absolutely effortless-this kid has surely come a long way since his Ekse Badkar Ek days!
Kulraj, famous as Kareena of Kareena Kareena, has little to do than look pretty- in the first half as she sashays through crowded streets of Benaras in hotpants (which of course reminds you of Sonali Bendre’s Nirma act) and post interval she enacts a bit of Kajol of DDLJ, a bit of Kareena of Jab We Met and a bit of what not- but all through the film she looks pretty indeed!
What begins as a spoof on the masala films of the 70s, turns out into the modern version of the classic love story of Mirza-Sahibaan, but YPD is certainly not a Kameenay or Dev.D. The movie is an out-and-out masala film, replete with unbridled goofiness, Punjabi stereotypes, one-liner PJs, raunchy item numbers and unpretentiously over-the-top fight sequences. The cinematography is good, the songs apart from one are atrocious. A better script and better direction might have made a far better movie out of YPD but on the whole it is a movie for the aam-janta and a must-watch if you want a hearty laugh sans any brainwork. Same goes if you are a Deol fan. But, if you are a Rajinikanth fan then lookout for the scenes where Sunny holds up an entire balcony with one hand, or where he fights 50-60 people alone with his hands stuck in his pockets, or where he shouts and breaks all the window panes.  What Rajini can…Sunny can too!

%d bloggers like this: